ELEGANCE IN ETOWN

The men in Seligman’s Mercantile watched silently as the young woman in the trailing pale blue silk skirts swept out of the store.

“She’s a lardy dardy little thing, isn’t she now?” Charles Idle, the expatriate Englishman, asked. He shook his head and stretched his feet closer to the wood stove. “That dress and hat.”

Joseph Kinsinger spat a stream of tobacco toward the empty lard can by the stove. “Those silks ain’t gonna last long in this mud. And the wind’l take that hat.”

His brother Peter grinned. “You’re just worried Desi’s gonna see her and want a getup just like it,” he said.

“I wonder where’s she’s staying,” Idle said thoughtfully. “Hey Jim, where’d she say to deliver that sterling brush and comb set?”

The clerk hesitated, then shrugged. It would be all over town soon enough anyway. “The Moreno Hotel,” he said.

There was a short silence, then Idle said, “Well, I guess I’d better go see how my mine’s doing this morning,” and rose from his chair.

“I’ll bet,” Peter said sardonically, but Idle only smiled and went out.

from Valley of the Eagles

ATTITUDES

“Rues? Your last name is Roo-ess?” The young white man sitting at the Elizabethtown restaurant table looked at the old black man quizzically. “You mean Ruiz? Roo-eez? You got some Spanish in you?”

The cook shook his head. “All I know’s what my mama tol’ me,” he said. “My daddy was a Frenchman visiting ’round in Alabama. He stayed at the Big House for three weeks and took a shine to my mama while he was there. When I was born, she give me his last name.”

“Your master let her do that?”

The black man studied the plate of food in his hands for a long minute. “After the war, we could choose what last name we wanted,” he said quietly. “I chose my daddy’s name.”

“That food sure looks good,” the white man said. He moved his knife and fork farther apart on the bare wooden table.

Louis Rues put the plate down and turned away. He shook his head. People are people, no matter where you go, he thought ruefully as he went back to his stove.

from Valley of the Eagles

 

MISNOMER

“Who you callin’ squirt?” The tall young man with the long sun bleached hair moved toward him down the bar, broad shoulders tense under his heavy flannel shirt.

“I didn’t mean anything,” the man said apologetically. The premature wrinkles in his face were creased with dirt.  Clearly a local pit miner. He gestured toward the tables. “I heard them callin’ you that. Thought it was your name.”

“Only my oldest friends call me that,” the young man said.

“Sorry ’bout that,” the other man said. He stuck out his hand. “Name’s Pete. They call me Gold Dust Pete, ’cuz that’s all I’ve come up with so far.”

They shook. “I’m Alfred,” the younger man said. “My grandfather called me Squirt. It kinda got passed down as a joke when I started getting my growth on.”

Pete chuckled. “I can see why it was funny,” he agreed. “Have a drink?”

from Valley of the Eagles

THE LOST SOUL

As Jorgé Ruibal wandered up the middle of the road toward Elizabethtown proper, the men outside the taberna watched him sympathetically. “El joven es como alma en pena,” Carlos Otero the jeweler said. “The young man is like a lost soul.”

“Si,” said the boy’s uncle. “He has lost his laborer job with Señor Bergmann. His papá is very angry with him.”

“I heard he was in love and that his love was unrequited,” Eduardo Suaso, the taberna’s musician, said.

María de la Luz, the boy’s cousin, appeared from around the corner of the building. She carried a basket of clean linens for delivery to Henri Lambert’s Etown restaurant and hotel. She gazed at Jorgé, who’d stopped to poke his foot at a stone in the road. “He wants to leave here, but his mamá is unwilling,” she said.

Jorgé, oblivious to these speculations, still stood in the dusty street, poking at the stone with his boot. It was so inert and yet so full of a kind of compressed energy. He looked east, toward the massive bulk of Baldy Mountain. The gullies that swung out from its sides were full of rocks and men scrambling through them looking for gold. Yet the mountain bulked there impassively, impervious to the miners who crawled over it. Jorgé crammed his hands in his pockets and stared upward, drinking in its stony greenness, its lack of engagement with the tiny men poking at its skin.

Outside the taberna, the americano miner called Hobart Mitchell came to the door with a drink in his hand and considered the staring boy. “He looks like’n idiot, standin’ there,” Mitchell said. “Touched in the head.”

The others all nodded noncommittally and continued to gaze sympathetically after Jorgé as he wandered on up the road.

from Valley of the Eagles

BUZZARD BRAINS

“He ain’t got the brains God gave a buzzard,” the old man grumbled. He picked up his mattock and glared at the black-hatted figure retreating down the bottom of Humbug Gulch toward Elizabethtown. Then he looked uphill, toward Baldy Peak. “Idiot can’t even figure out there’s a storm up there and this gully likely t’wash out in another half hour.” He sniffed disdainfully and went back to work, breaking rock on the gully’s southern lip, searching for the gold that was bound to be there if a man worked the stones long enough.

The young man in the black bowler hat chewed thoughtfully on his lower lip as he trudged down the center of the gulch through the gravel and broken rock. He’d offered every dollar he had for the claim, but the miner clearly wasn’t interested in selling. He shook his head. There must be other options.

Halfway down the gulch, he paused to catch his breath and gaze at the mountain above. That dark cloud spoke rain. Given the southeast position of the cloud and the angle of the gulch, it was unlikely that particular cloudburst would wet this particular gully. However, just to be on the safe side, he moved halfway up the gully’s north slope before he continued his downward trek.

The sun was glaringly bright on the dry rocks. The young man sat down on a large sandstone boulder and took off his hat. He brushed at the dust on the black felt and shook his head. He needed to find something lighter weight and less apt to show dust. He’d keep wearing this in the meantime, though. If nothing else, it protected him from sunstroke. He glanced down at the shadowed side of his rocky seat and grinned. Like this boulder was protecting that bit of grass, growing here among the pitiless rocks where no plant had a right to be.

The young man’s eyes narrowed and he leaned forward. He shaded the clump of grass with his hat and peered down at it and the rocks around it. Then he straightened abruptly, glanced up the gully where the miner had gone back to work, and slid off the boulder. He crouched beside the big rock and gently pried a piece of broken quartz from the ground. He turned it slowly back and forth, examining every facet and seam.

Five minutes later, the young man sat back on his heels and turned the rock again, just to be certain. Then he picked up a stick and poked around a bit in the ground beside the boulder. He nodded thoughtfully, then stood and looked carefully at the gulch’s rocky slopes for any sign of possession. But this piece of land clearly hadn’t been claimed. Apparently, no one had thought there was gold this far down Humbug Gulch.

The young man chuckled, tucked the piece of quartz into his pocket, clapped his dusty black hat on his head, and headed into Elizabethtown to file the necessary paperwork for his claim.

from Old One Eye Pete

SOFT WOOD

Samuel stroked the narrow piece of old cottonwood thoughtfully, absorbing its smoothness. It called out to be carved.

He was one of only a handful of boys living in Elizabethtown, New Mexico Territory, in this year of 1871. Almost all the other children were girls. Even worse, he was the only boy in a house full of overly-particular and opinionated sisters. Samuel scowled at the wood and dug his dirty fingernail into it, cutting a rough zigzag. It felt good to mark up something that they couldn’t complain about, even if he did have to hide behind the woodshed to do it, and didn’t have a knife to cut it proper-like.

“What are you doing?” a young female voice inquired.

Samuel looked up warily. A girl with long honey-brown curls and large gray eyes stood at the corner of the shed, staring at the wood in Samuel’s hands. She moved closer, her eyes still on the old stick. “How’d you mark it like that?” she asked. “All the wood around this town is too twisted and tough to cut into.”

“This here’s cottonwood,” he said. “It’s softer than the pine and other stuff hereabouts.”

“Where’d you get it?”

He stiffened, remembering he was talking to a girl, one who was bound to boss him around. “What’s it to you?” he asked.

“Well, never mind,” she said. She shoved her hands into her pinafore pockets and turned to go, her head down. Her curls covered her face.

“I’m sorry,” Samuel said contritely. He flung the stick away.

The girl crossed the yard to the piece of wood and bent to pick it up. She ran her fingers down the side he hadn’t marked. “It’s very soft,” she said.

“I have a lot of sisters and they’re always bossing me,” Samuel said apologetically.

The girl lifted her head and grinned. “I only have one brother, but he’s always bossing me.”

“What’d you want to know about the wood for?”

“I want to learn how to carve,” she said. “My brother knows but he won’t teach me. He says carving’s only for boys. I was going to try to teach myself but I couldn’t find anything soft enough.”

“I found that stick in our woodpile,” Samuel said. “There’s more in there but I’ll have to dig through the stack in order to get at it.”

“When you do find some, could I have a piece?”

“Sure. Why not?” He looked at her thoughtfully. “You have a knife?”

She smiled triumphantly and pulled a penknife from her pinafore pocket. They grinned at each other. Then she stuck out her hand, ready to shake. “I’m Charlotte,” she said.

from Valley of the Eagles

 

U.S. Agency Triggers Colfax County War

On Wednesday, January 28, 1874, the U.S. Department of the Interior issued the order that began New Mexico’s Colfax County War.

The Department had decided to designate the approximately 2 million acres claimed by the Maxwell Land Grant and Railroad Company as public land, not private. This meant that the former Beaubien/Miranda land grant was now open to settlement under federal homestead laws.

The Interior Department’s decision was part of an ongoing dispute over the size of the Land Grrant. According to the Department, until that matter was settled in Federal Court, the land was public and therefore available to qualified homesteaders.

But the Land Grant Company wasn’t about to let anyone settle without payment on acreage they claimed as their own. And that payment certainly wasn’t going to go to the U.S. government.

In fact, the Company was already fighting settlers on the vast acreage they claimed. Their attorney, Frank Springer, was hard at work in New Mexico’s Territorial Courts, evicting anyone the Board believed shouldn’t be there. With evictions already occurring, opening the Grant lands to federal homestead claims was simply asking for more trouble.

Jan 28 illustration.Springer, Frank

And it came. If the Company couldn’t get rid of “squatters” through the courts, they’d try other strategies. This all cost money, of course, something that the Board was often short of. But even as the Company teetered on the edge of bankruptcy, its board members continued the fight. If this required extra-legal methods, then so be it.

Right about the time the Department of the Interior announced its decision, another factor arrived in Colfax County. His name was Reverend Franklin J. Tolby. Tolby believed that the Maxwell Land Grant and Railroad Company was taking more than its share of local resources. In fact, he advocated that some of the acreage in dispute be handed over to the Native Americans who’d hunted and lived there long before anyone even thought that American capitalists would have a use for it.

Tolby was articulate and people listened to him. This put him solidly in the sights of the Company’s board members. A lot had happened on the Grant up to this point: legal and extra-legal evictions, miners’ protests in Elizabethtown, meetings of concerned citizens in Cimarron, heated newspaper articles for and against the Grant Company. But none of that compared to what occurred after January 28, 1874. The Colfax County War was about to begin.

By the time it was over, Reverend Tolby and others would be dead, homesteaders would be burned or run out, and the Land Grant Company would be on the verge of yet another reorganization. The grant never did return the profit its investors had hoped for.

As with most wars, everyone got hurt in the end.

Source: David L. Caffey, Chasing the Santa Fe Ring, University of New Mexico Press, Albuquerque, 2014; Moreno Valley Writers Guild, Lower, Lower, and Legends, a history of northern New Mexico’s Moreno Valley, Columbine Books, 1997; Victor Westphal, Thomas Benton Catron and His Era, University of Arizona Press, Tucson, 1973; Stephen Zimmer, editor, For Good Or Bad, People Of The Cimarron Country, Sunstone Press, Santa Fe, 1999.