As Jorgé Ruibal wandered up the middle of the road toward Elizabethtown proper, the men outside the taberna watched him sympathetically. “El joven es como alma en pena,” Carlos Otero the jeweler said. “The young man is like a lost soul.”

“Si,” said the boy’s uncle. “He has lost his laborer job with Señor Bergmann. His papá is very angry with him.”

“I heard he was in love and that his love was unrequited,” Eduardo Suaso, the taberna’s musician, said.

María de la Luz, the boy’s cousin, appeared from around the corner of the building. She carried a basket of clean linens for delivery to Henri Lambert’s Etown restaurant and hotel. She gazed at Jorgé, who’d stopped to poke his foot at a stone in the road. “He wants to leave here, but his mamá is unwilling,” she said.

Jorgé, oblivious to these speculations, still stood in the dusty street, poking at the stone with his boot. It was so inert and yet so full of a kind of compressed energy. He looked east, toward the massive bulk of Baldy Mountain. The gullies that swung out from its sides were full of rocks and men scrambling through them looking for gold. Yet the mountain bulked there impassively, impervious to the miners who crawled over it. Jorgé crammed his hands in his pockets and stared upward, drinking in its stony greenness, its lack of engagement with the tiny men poking at its skin.

Outside the taberna, the americano miner called Hobart Mitchell came to the door with a drink in his hand and considered the staring boy. “He looks like’n idiot, standin’ there,” Mitchell said. “Touched in the head.”

The others all nodded noncommittally and continued to gaze sympathetically after Jorgé as he wandered on up the road.

 2017  © Loretta Miles Tollefson