NOT MY FATHER’S HOUSE – Chapter 10

CHAPTER 10

The next morning, Suzanna wakes in the cabin loft with a headache and a pain in her chest. She rubs her hands over her face. Why does she feel so miserable? So exhausted? Then she remembers. Encarnación. Dead.

Suzanna closes her eyes against the hopeless tears. They won’t do any good. Her friend is gone. Never to join her here in these mountains. Nausea grips her and she fights it down, then gingerly pushes herself from the sleeping pallet. The only thing that might help is to move, to get outside, to breath the fresh outdoor air.

She dresses, climbs clumsily down the ladder, and retrieves the egg basket from the kitchen. Ramón nods to her somberly but she can’t meet his eye. She slips out of the house to the barn.

There’s a small door at the end nearest the corral, there to provide foot access when they’re not leading animals in and out. The door is partly open, though it provides little light to the interior. Suzanna steps inside and stops to let her eyes adjust to the dimness. She can hear Gerald and Gregorio in the far stall, preparing the mule for Gregorio’s return to Taos. As she crosses the straw-covered earth floor toward them, Gregorio says, “A knife was found.”

Suzanna freezes. He has clearly waited until now to tell Gerald about the knife. There must be a reason he didn’t mention it yesterday. She swallows against a sudden surge of anxiety and closes her eyes, listening.

“It was that big horn-handled one Enoch Jones used to carry.”

Suzanna’s throat tightens. Her fingers are cold on the basket’s woven handle.

“Jones is dead,” Gerald says, his voice stiff.

“So we believed.”

“No man could survive that wilderness with those wounds. If nothing else, the wolves would trail his blood and finish him off.”

The mule moves impatiently. Gregorio speaks to it softly.

Gerald clears his throat. “Someone must have found Jones’ body and stolen the knife.”

There’s a pause, then Gregorio’s reluctant voice. “There have been stories.”

Suzanna starts to move forward, then thinks better of it. They’ll stop talking the moment they know she’s here.

“Encarnación laughed and called them ghost stories,” Gregorio says. “Tales of a man shaped like Jones in the mountains.” There’s another pause. “Between here and Don Fernando,” he adds, his voice dropping. Suzanna has to strain to hear him.

“I did not wish to alarm la señora,” he adds. “Especially with the child coming.”

“I appreciate that,” Gerald says. “They may just be stories.”

“Sí, they may just be stories.”

Suzanna opens her mouth and steps forward, then stops. They’re only trying to protect her. And there’s no point in worrying them about worrying her. She moves quietly back to the door and the cold sunshine. She waits a long moment, then shoves the door open all the way and reenters the barn.

“Hola!” she calls. “Gregorio, are you leaving so early?” The two men turn toward her almost eagerly, as if they don’t want to think about what Gregorio has just said.

After Gregorio returns to Taos, a pall falls on the cabin, a haze of pain that refuses to lift. Gerald seems anxious and unwilling to stray far from the hillside. Suzanna watches him impatiently, suddenly refusing to believe her own fears about the man she saw on the ridge. Somewhere deep in her belly, she knows she’s being unreasonable. That the stories being told in Taos and the presence of the knife beside Chonita’s dead body mean that it’s likely Jones did somehow survive that terrible knife fight and has returned from the wilderness.

But surely that’s impossible. It must be someone else who’s haunting the mountains between the valley and Taos. She simply cannot allow herself to live in terror of any other possibility.

Besides, if Gerald believed that Jones had returned, he would have told her so. He’s said nothing about the Taos rumors or Jones’ bone-handled knife. He’s staying close to the cabin solely out of concern for both her and Ramón’s emotional state. There’s also her physical condition. The baby is due soon and Suzanna is increasingly uncomfortable.

The shock of Encarnación’s death has hit Ramón hard. The realization that she lay dead while he happily anticipated their marriage has left him in a kind of stupor. He still cooks and tends the animals, chops wood and hauls water, but he goes about his tasks in a sort of daze, eyes glazed with pain.

Suzanna herself finds that she’s sitting for long stretches, hands empty in her lap, staring blindly at the windows, glowing yellow with afternoon light. It’s hard to imagine a world without Chonita’s vital laugh, those knowing eyes, that gift for las natillas. Even the mica windowpanes remind her of the other woman. Suzanna smiles, remembering the arguments between her father and the cook about the need for sunlight and fresh air through the old-fashioned kitchen windows with their carved wooden grills, the ones her father wanted to replace with mica.

Ramón enters the room carrying an armload of firewood. Suzanna looks up at him. “You know, I think Encarnación was right,” she says. “The clear light from an open window aperture is so much brighter and truer than sunlight filtered through mica.”

Ramón kneels to add the wood to the small stack at the far end of the fireplace. “It is so,” he says. “She—” Then he stops, a piece of juniper still in his hand. He shakes his head, carefully positions the chunk of wood on top of the stack, then stands and moves toward the kitchen without looking back.

She closes her eyes. She shouldn’t have spoken. It only deepens his pain. And yet, how can she not speak, when everything seems to remind her of her dead friend? She sighs and sorrowfully rubs her belly. She had assumed Encarnación would come for the child’s birth, to assist her through it and perhaps stay on with Ramón.

Grief overwhelms her again, and Suzanna creeps across the room and climbs clumsily up the ladder to the loft. Out of the way, where she can’t do anything else to increase Ramón’s pain.

When the tears finally wear out, Suzanna lies limp on the blanket-covered pallet and stares at the bare rafters overhead. The weeping will erupt again. She hasn’t completed grieving for her friend. But the pressure in her head and chest has subsided a little. She wonders if Ramón has wept at all, if he’s found an outlet for his grief. But he’s a man. Men learn early to suppress their emotions. Perhaps speaking of his loss to another man will be all he can manage.

But when she asks Gerald that night if Ramón has spoken to him of Encarnación’s death. Her husband shakes his head.

“It will fester in him if he doesn’t express it.” Suzanna pushes another pillow behind her back, trying to get comfortable on the thin bed. “It isn’t good to hold in that kind of pain.”

“You don’t know that he’s not expressing it,” Gerald says. “We each have our own way of dealing with grief.” He leans down to give her a kiss and pokes at the pillows behind her. “Are you comfortable yet?”

“Not until this child decides to be born,” she says, exaggerating her grumbling tone, glad to have something else to think about. “Ouch!” She presses a hand against her lower chest. “That foot just jabbed my rib and now it’s pushing straight out.”

“Pushy little thing, isn’t it?” Gerald grins and he stretches out beside her. “Must be a girl.”

She gives him a slit-eyed look. “You certainly are in a good mood tonight.” Guilt wells up in her and she turns her head away. How can she be happy when Encarnación is dead and Ramón so bent with grief? Tears brim into her eyes. “When my father arrives for Christmas, Chonita won’t be with him.” She gives Gerald a bleak look. “If I can’t bear the thought of that, how must Ramón feel?”

Gerald lifts himself onto one elbow and gently strokes her dark hair. “I don’t mean to be hard hearted. I know your heart weeps for her and that Ramón is burdened with grief and self-reproach.”

“Self-reproach?”

“He believes that if he’d insisted that they marry when we did, she would have been here and safe, instead of on that acequia path.”

Suzanna’s eyes fill again. “On that path with potatoes from my patch, so far away from the village.” She shakes her head. “And I was so willing for her to stay in Don Fernando, so quick to leave her with all the work while I took what I wanted. When I left, she remained to arrange everything, to take all the responsibility for my father. And to have none of my joy.” She turns her head away from his sympathetic eyes. Her voice shakes. “I’m more to blame than Ramón!”

“Neither of you are to blame,” Gerald says firmly. “Encarnación insisted, remember? She decided what she wanted to do and that was it.” He chuckles. “Did you ever know her to change her mind once she had decided a thing?”

“No, not that I can remember.” She manages a small smile. “In fact, it was never clear whether she or my father was the first to decide that she would be our cook and housekeeper. I’ve always suspected it was Chonita’s idea before it was his, even though she was only fourteen at the time.”

Gerald grins. “She set you a good example.”

She narrows her eyes. “Now what exactly is that supposed to mean?”

He laughs. “Only that you and she both know how to get what you most want.” He leans forward and kisses her forehead. “Now please relax and let that baby finish its last bit of growth so it can arrive soon.” He reaches for her hand. “Ramón and I expect to have a surprise for you tomorrow morning, but if it’s to truly be a surprise, you’ll need to stay up here until we’re ready to show it to you. Can you do that?”

She grimaces. “Since I now need help to get down the ladder, I suppose I don’t have much choice, do I?”

He laughs and squeezes her hand. “I suppose not.” He looks around the loft. “You have the lamp and your books. The chamber pot’s empty and the wash basin has clean water in it. Is there anything else you need?”

“Chonita to be alive and this child to be born,” she says, closing her eyes. She can feel the grief pulling at her again.

Gerald touches her hair. “I wish I could make both those things happen,” he says. “I didn’t know Encarnación well, but I also feel her loss.”

Suzanna reaches for his hand. “I don’t mean to be such a weepy woman about it. I suppose it’s as much the weight of the child as grief for Chonita. If my time doesn’t come soon, I may dissolve in a lake of tears.”

“When the baby does arrive, it will be a comfort to all of us.” He looks up at the rafters. “Though I dread the process of its coming.”

“I’ll be fine.” Suzanna puts more courage into her voice than she actually feels at the moment. “We both know what to expect. After all, cows aren’t much different from humans.”

“Still, I wish you could be in your father’s house.” He turns his head, eyes dark with concern. “I shouldn’t have taken you from Taos.”

“It’s too late for that now,” she says. “I’ll be fine. I’m sure of it.”

He rolls toward her. “I’ll certainly be glad when it’s over,” he says, his face against her shoulder.

Suzanna turns her head to kiss him gently, then turns back to stare at the rafters herself. She can sleep only on her back now. Every other position is uncomfortable. As she stares into the darkness, Gerald’s body relaxes into sleep.

She can’t let go that easily. Despite Gerald’s reassurances, she still regrets her eagerness to hasten her own marriage and delay Encarnación’s. One of them needed to stay in Taos with her father and arrange for and train a new housekeeper. She had selfishly let that person be Chonita. Who is now dead. The tears slip silently down Suzanna’s face.

Finally, she sleeps. She wakes to a muttered curse in the room below and a muffled thud on the plank floor. “Are you two moving furniture?” she calls, but the only response is the scuff of boots across the floor and the thud of the front door shutting.

Suzanna frowns. What are those two up to? Oh, yes. The surprise. Well, if it distracts Ramón a little from his pain, it’s a good thing.

She closes her eyes against her own grief, then sits up. Her bladder is full to bursting. Or at least it feels like it. It could just be that the baby is pushing against it again. That nothing much will happen when she uses the chamber pot.

She gets up anyway, then slips back onto the thin pallet. She shifts impatiently, trying to get comfortable. The loft’s floor boards seem especially hard this morning, the pallet especially thin. It’s no use. She’ll read for a while, until they’re ready to show her the surprise.

She pushes herself into a sitting position. As she reaches to light the lamp, the door below thuds open again. “Shhh!” Gerald hisses. “Careful now! She’ll hear us!”

Suzanna pulls her hand away from the lamp and lies down again, a small smile playing on her lips. Let them think she’s still sleeping.

She’s actually dozed off again when Gerald’s head appears at the top of the ladder. “Wife?” he says.

“Ummm?”

“Your surprise is ready.” He sounds so pleased with himself.

She sits up and stretches her hand to him.

“Well, almost ready,” he says. “You have to see it before it can be completed.”

She chuckles. “Now I’m really curious.”

“Don’t look over the edge of the loft,” he warns. “And you’ll need to close your eyes on the way down.”

“Isn’t that’s rather dangerous?”

He laughs. “You haven’t been able to see your feet on the ladder rungs for the last month,” he reminds her. “I’ll stay right below you just like I’ve been doing, and you’ll be perfectly safe.”

“I put myself in your hands,” she says, smiling. She wraps a shawl around her shoulders and ties it firmly in place. “All right, I’m ready.”

Gerald guides her carefully down the ladder, then places his hands on her shoulders and turns her, eyes still closed, toward the fireplace. “Here it is!” he says.

Suzanna opens her eyes. A bed stands between the fireplace and the window. A real bed, large enough for two people, with a sturdy pale-gold wooden post at each corner and thinner pieces forming the frame. Strips of rawhide have been woven together and attached to the frame to create a mattress support.

“It isn’t quite ready,” Gerald says apologetically. He slips his arm around her waist. “We’ll bring the pallet and blankets down and make it up properly.”

Ramón stands on the far side of the bed, watching her. His face holds the glimmer of a smile, the first she’s seen since Gregorio arrived with his news. “It is for you and the little one,” Ramón says. He glances at the ladder to the loft. “You will be safer here.”

“It’s beautiful.” Suzanna leans against her husband and smiles at Ramón, both hands on her protruding belly. She looks at the bed. “The wood is such a beautiful soft yellow. Is it aspen?”

“Sí,” Ramón says eagerly. “And we have coated it with a thin layer of resin, to preserve it. It should last all your days—” He stops suddenly and looks away.

Suzanna’s throat catches. She turns to Gerald. “I want to try it right away,” she says. She moves to her chair and eases herself into it. She looks at Ramón, her eyes twinkling. “I’m afraid you’ve made more work for yourself, because I’ll also need the lamp and my books.”

The men move up the ladder to do her bidding and the cabin is filled with activity, pushing the loss of Encarnación into the shadows, at least for a little while.

You’ve just read the tenth chapter of the forthcoming novel Not My Father’s House by Loretta Miles Tollefson. You can order it now from your favorite bookstore or online retailer, including Amazon, Barnes and Noble, or Books2Read.

 

NOT MY FATHER’S HOUSE – Chapter 7

CHAPTER 7

Suzanna stands in the middle of the field of harvested cornstalks, her hands on her hips, her belly bulging, a machete on the ground at her feet. Although it didn’t yield much in the way of food, the maíz patch contains plenty of dead stalks that now need to be dealt with.

She could leave them standing until spring. The elk and deer would probably find them useful as winter forage. Certainly, the raccoons would enjoy the remnants of the corn that was too small to pick. Not that she wants the pestilential beasts to get any ideas about coming back next season for ripe corn. They don’t need to be encouraged.

She scowls at Dos and Uno, who are chasing each other through the rattling stalks. Perhaps next year they’ll make themselves useful. They certainly didn’t protect anything this season.

She bends awkwardly to pick up the machete and hefts its smooth cottonwood handle in her right hand, then swings it experimentally in a long sideways circle. The long flat metal blade makes a hissing sound in the crisp fall air. If nothing else, chopping stalks will make her feel better. They won’t be visible anymore from the cabin porch, taunting her inability to make them produce or to protect the little they cared to yield. And she needs the exercise.

In Don Fernando, there’s always someone to hire for this type of work. Gregorio Garcia or one of his cousins. But here there are no young men eager for a few coins. And Gerald and Ramón are busy with their own winter-preparation chores: hand-hewing sections of board to partition the cows from the hay in the barn, hauling and splitting more firewood, placing yet more rocks at the base of the chicken run to guard from predators. Raccoons, those furry vexations, love eggs even more than corn.

Suzanna scowls at the thought of the pesky raccoons. Her grip tightens on the machete. The resulting pressure on her still-tender palm reminds her to pinch her thumb and forefinger around the machete handle, the way Ramón showed her. She repositions her hand and flicks her wrist forward and down. The blade swings smoothly. Her raccoon-chopping fantasy may even be plausible.

Suzanna chuckles and sets to work, cutting steadily down the first row of dead stalks. At the end, she turns and nods in satisfaction. Severed stalks scatter the ground, their long dead leaves stabbing in every direction. The half-grown Ute puppies run among them, chasing each other and their own tails.

As she watches them she feels a sudden pressure under her bottom left rib, shoving outward. She takes a slow deep breath, then massages the spot with her left hand. The pressure shifts toward her abdomen. Suzanna grins. This isn’t the first time this had happened. This baby seems to crave activity. Little feet and elbows poke outward the minute Suzanna stops moving.

“You want more action, little one?” she asks. “Shall we cut some more cornstalks?” The brown and black puppy yips as if in answer and Suzanna laughs, then goes back to work.

The baby may like movement, but Suzanna finds that she can’t chop as many stalks as she would like to in any one work session. It takes her almost a week to get to the last row of maíz. She’s moving up the row, her back to the western mountains, when the weather shifts, the air suddenly colder. A haze of damp stings her cheeks. But vigorous movement and her heavy wool coat have made her so warm that the bite of the air merely feels invigorating. She keeps chopping.

Suddenly a voice behind her says, “You may want to wait to finish that.”

Suzanna turns to see Gerald. Beyond him, a mass of gray cloud blocks any view of the western peaks. “I don’t think you have time to cut the rest of the row,” he tells her. He gestures toward the clouds. “This snowstorm’s coming in pretty quickly. “

Suzanna frowns. “It’s too early for snow. Not a heavy snow, anyway. It’s only the middle of October!”

“You’re not in Don Fernando anymore, wife,” he says gently.

“So I’ve been told,” she says. She looks back at her row of cornstalks. “I just want to finish this.”

He glances up the hill toward the barn. “I can get the other machete. We can finish it together.”

“I know you’re busy—”

“The barn is well enough. And the wood can wait.” He steps forward to kiss her forehead. “I’ll be back in a minute.”

She watches him head toward the barn with his long easy stride, and smiles. He’s interrupted his own work to help her with something that isn’t essential, but is important to her. He’s a good man and she loves him dearly. Even if he does think this desolate mountain valley is the best possible place to live.

Together they quickly finish leveling the row of dead cornstalks. Then Suzanna heads toward the cabin, the dogs at her heels, while Gerald returns the machetes to the barn. The clouds have dropped into the valley now and the wind is pushing them steadily toward the cabin. The air is bitterly cold.

When she reaches the porch, Suzanna turns to gaze at the approaching storm. She can’t see the western peaks, but she knows they’re there. A patch of blue sky has opened directly above the almost-black clouds that cover them. The blue is a glorious contrast to the ominous billows below. Even in its foreboding iciness, the scene is majestic.

She squints at the foothills farther down, where a gray screen of moisture slants toward the grassy brown slopes. The mist half obscures the hills, but she can see movement at the top of the one on the right. A lone elk?

No. A thick-set man on a black horse. Facing the cabin across the valley. And Suzanna.

There’s something menacing about the stillness of both beast and man. And familiar. Those sloping yet bulky shoulders. The shapeless mass below. Suzanna’s stomach twists. It’s the same figure she saw south of the cabin in July. And it still reminds her of Enoch Jones.

Suzanna shudders, blinks, and shakes her head. Surely she’s imagining it. When she looks again, the gray screen of mist has thickened and dropped. The hilltop is gone. There’s nothing to see. And the screen of snow is moving steadily toward the cabin. She shivers again and the half-grown dogs slink up the porch steps and edge toward her feet.

Gerald crosses the yard and follows Uno and Dos onto the porch. “Aren’t you cold?” he asks. He circles the animals to move behind Suzanna and wrap his arms around her waist. His cold cheek touches hers as he looks past her at the oncoming storm. “I can keep you warmer than the dogs can,” he murmurs. “And we’re all set for winter, so I can do plenty of this.”

She smiles, tilts her head toward his, and nestles back into his arms. Whatever she thought she saw, it isn’t there now. And he is.

You’ve just read the seventh chapter of the forthcoming novel Not My Father’s House by Loretta Miles Tollefson. You can order it now from your favorite bookstore or online retailer, including Amazon, Barnes and Noble, or Books2Read.

 

NOT MY FATHER’S HOUSE – Chapter 4

CHAPTER 4

The emptiness has just begun to feel normal again when a band of Ute Indians rides into the cabin yard.

Suzanna is on a bench on the porch, shelling peas, enjoying the mid-August warmth, and congratulating herself that the rabbits seem to be leaving the plants alone. Plants that are still producing. In Taos, their leaves would be turning yellow by now, the stalks withering in the heat.

She just wishes the pestiferous raccoons would stop snooping around her corn. This morning, she found a stalk bent to the ground, as if the furry black-masked lumps of mischief have been inspecting the ears to see if they’re ready to eat.

Her head is bent over the bowl of peas, fingers running appreciatively through the small orbs of damp greenness, when an unshod horse hoof thuds on the hardened-clay soil between the corral and the barn.

Suzanna lifts her head. A tall Indian man, his black hair chopped off at his chin in Ute fashion, watches her from the back of a brown gelding with white spots. Four horseback men and three boys on ponies cluster behind him.

Suzanna rises, clutching her bowl.

Then Ramón is behind her in the doorway, shotgun in the crook of his elbow. “Ah, Stands Alone,” he says. “Buenos días.” He steps onto the porch and waves Suzanna toward the cabin door as he nods at the men behind the Ute leader. “Many Eagles. Little Squirrel.”

“We have met before,” the man called Stands Alone says. He’s looking at Ramón, but his words are clearly for the benefit of the men behind him. “In this valley in the season of many snows.” He waves a hand at the grassland below. “We shared meat and bread in this place.” He nods at Ramón’s gun, his face inscrutable. “And now you have returned. In the place of Señor Locke?”

“El señor and I have returned together.” Ramón motions toward Suzanna, in the doorway now, holding her bowl of peas. “With his woman.”

Stands Alone studies Suzanna for a long moment. “It is well.” He turns to address the group behind him. “I have agreed to this thing.” He turns back to Ramón, whose shotgun still lies in the crook of his arm.

“You are safe here,” Stands Alone says. “My people listen to me.”

From the doorway, Suzanna sees a shadow cross the face of the man Ramón called Many Eagles, the man with a thin, prominent nose and one brow higher than the other. He doesn’t look as if he listens to anyone. Or answers to anyone but himself.

Ramón makes a welcoming gesture with his free hand. “You are welcome.”

“You are here as Señor Locke’s servant?”

“Señor Chávez is my partner.” Gerald says from the end of the cabin. He steps into the yard. “His welcome is my welcome.” He turns toward the porch. “And this is my wife, Suzanna, the daughter of Señor Jeremiah Peabody of Don Fernando de Taos.”

Stands Alone gazes at Suzanna for a long moment, then looks at Gerald. “Your woman is the daughter of the French Navajo girl and the New Englander? The woman called She Who Does Not Cook?”

Ramón chuckles. Gerald throws back his head and laughs. Suzanna shakes her head in embarrassment.

“We prefer to say She Who Plants,” Gerald says.

Stands Alone’s eyes twinkle. “I have heard that it is so.” Behind him, Many Eagles’ stallion moves impatiently. Stands Alone turns and gestures to one of the boys, who moves forward and smiles shyly at Suzanna. Stands Alone says something in Ute and the boy slides from his pony.

“This is my son, Little Squirrel,” Stands Alone says. He turns to Gerald. “I was told of your cabin and that there is maíz growing now in this valley. We have brought you a gift to keep the grazers and the mapache from the crops of your woman.”

A woven pannier with tied-down lids lies across the rump of Little Squirrel’s pony. At a signal from his father, the boy unties the nearest cover and reaches into the space below. He pulls out a bundle of brown and black fur and sets it on the ground. As the bundle resolves itself into a fat puppy, Little Squirrel places another one, this one more yellow than brown, beside it. “Un perro y una perra, a male and a female,” he says shyly.

Suzanna clutches her bowl of peas and eyes the puppies warily. She isn’t sure she wants a dog. Or two of them. They’ll simply be one more thing to see to. She has a baby coming and crops to tend to. That’s enough to worry about.

“They will be grown before the child can walk,” Stands Alone says. Suzanna glances up in surprise. Is her ambivalence that apparent? But the man is looking at Gerald. He nods toward the field below, where the corn plants stand in neat rows, leaves flowing in the sunlight. “They will protect el maíz. If it bears fruit.”

Suzanna’s lips tighten. “The cobs are forming well,” she says. “I see no reason to expect the crop to fail, if I can keep the raccoons out of it.” She glances at the puppies. They seem unlikely to be much use against grown raccoons. Then she looks at the Ute’s impassive face and softens. The young dogs are a goodwill offering, no matter how unhelpful they may turn out to be. “Perhaps the smell of them will be enough to keep the raccoons away.” She gives him a little nod. “I thank you.”

A glimmer of a smile crosses Stands Alone’s face. He nods back at her, then glances at Little Squirrel, who leaps back onto his pony. The boy maneuvers his mount away from the pups and toward the group by the barn.

Suzanna opens her mouth to invite the Utes to a meal, but Stands Alone speaks first. “Los mapaches will leave when the deer come, and they will be here soon. The snow in the hills will push them into the valley.” He looks toward the western slopes, which show no signs of yellow, though the aspens seem brighter than they were in July. “The leaves will drop early this year,” he says. “We go to Taos for winter blankets.” He nods abruptly to Gerald and Ramón and wheels his white-spotted horse toward the barn. He speaks a single word to his men, and then they’re out of the yard and moving due west across the valley.

Suzanna turns to Gerald. “Is there a more direct way to Taos than through Palo Flechado Pass?”

Gerald shrugs but Ramón nods. “There is a way there, past the sacred lake of the Taos Pueblo,” he says. “The trail is rugged, but it is more direct for those wishing to trade at the pueblo. It is also good for travel to the settlements north of Don Fernando, those of Arroyo Hondo and such. But one must go softly there and only in peace. The Taoseños set a watch there that is never broken. They have many sacred places in the mountains.”

The yellow-brown puppy has nosed its way across the yard and is sniffing at Ramón’s boots. He reaches down and lifts it by the scruff of its neck. “This is the female.” He sets the puppy back on its feet and looks at Suzanna. “What will you call them?”

She shrugs. “Perro and Perra? Boy and girl?”

Gerald chuckles. “Surely we can do better than that!”

“I don’t plan on being friends with them,” she says. “I have enough to do.”

Gerald and Ramón trade a look which Suzanna chooses to ignore.

“Spot and Brownie?” Gerald suggests.

“That’s not very original,” she replies.

Ramón grins. “Negro y Amarilla?”

“Black and Gold?” Suzanna chuckles. “That’s just as bad.”

Both dogs are now sniffling busily along the edge of the porch.

“Uno y Dos,” Ramón says.

Suzanna laughs. The two men grin at her. “One and Two,” she says. “Sure. Why not?” Then she grins. “But the yellow-brown female is Uno, not Dos.”

You’ve just read the fourth chapter of the forthcoming novel Not My Father’s House by Loretta Miles Tollefson. You can order it now from your favorite bookstore or online retailer, including Amazon, Barnes and Noble, or Books2Read.

JUST A MAN

“I seen him! I seen him!” The boy stopped, breathless, just inside the kitchen door.

“You mean you saw him.” His mother shook her head at him as she lifted the lid from the Dutch oven in the fireplace to check the biscuits. She smiled. “Who did you see?”

“Kit Carson! He was on the other side of the street, going into the Governor’s house.”

She nodded. “I heard this morning that he was back. What is he like?”

His shoulders sagged. “He didn’t look anything like the pictures in the book Grandpa gave me when we left Kansas City.”

“That was just a story,” she pointed out. She turned to stir the great pot of venison stew.

“I know,” he said. “But he wasn’t what I expected at all. He’s just a man.”

Copyright © 2013 Loretta Miles Tollefson