Book Review: Youth on the Santa Fe Trail

 

Kattell.Youth On The Santa Fe Trail cover
Youth on the Santa Fe Trail
by Camilla Kattell
Light Horse Publishing, November 2015
ISBN-13: 978-0996675406

We tend to forget just how young many of the travelers on the Santa Fe Trail were. I suppose this is because we associate the Trail with merchant caravans more than we do with family settler groups.

In Youth On The Santa Fe Trail, Camilla Kattell reminds us that some of the most famous voices from that famous road were not yet twenty when they travelled it. In addition to Christopher “Kit” Carson, these young people included the soon-to-be mountain man Richens Lacey Wootton, future authors Francis Parkman, Jr. and Hector Lewis Garrard, diarist Susan Shelby Magoffin, and—youngest of them all at age seven—Marian Sloan Russell.

One of the things I especially appreciate about this book is that Kattell includes information about travelers I was unfamiliar with, including James Ross Larkin, an early health seeker on the Trail, sportsman William B. Napton, and New Mexico native José Librado Gurulé.

But Youth on the Santa Fe Trail does more than provide a concise biography of these travelers. It also provides context for their particular story and, in doing so, helps us to understand their world. For example, Kattell’s portrayal of Susan Shelby Magoffin helped me to see this young woman in a way I hadn’t before.

When I read the Magoffin diary a number of years ago, I was frustrated by what I saw as her very narrow view of the world. Youth on the Santa Fe Trail reminded me that Magoffin’s strict, rather puritanical, upbringing would naturally make her look askance at women smoking cigarettes and church hymns set to apparent dance tunes. What I saw as a narrow mindedness can also be viewed as a difference in cultures which Magoffin was doing her best to assimilate. Kattell expanded my view of this young woman’s perspective.

While Youth On The Santa Fe Trail is about the youth who traversed the Santa Fe Trail, it is certainly not only for young readers. It will give you a new appreciation for the Trail’s travelers, the impact they had on both their destination, and the way their experiences on the trail shaped that impact. I recommend it for anyone interested in the history of the Trail and of New Mexico.

 

NOT MY FATHER’S HOUSE – Chapter 10

CHAPTER 10

The next morning, Suzanna wakes in the cabin loft with a headache and a pain in her chest. She rubs her hands over her face. Why does she feel so miserable? So exhausted? Then she remembers. Encarnación. Dead.

Suzanna closes her eyes against the hopeless tears. They won’t do any good. Her friend is gone. Never to join her here in these mountains. Nausea grips her and she fights it down, then gingerly pushes herself from the sleeping pallet. The only thing that might help is to move, to get outside, to breath the fresh outdoor air.

She dresses, climbs clumsily down the ladder, and retrieves the egg basket from the kitchen. Ramón nods to her somberly but she can’t meet his eye. She slips out of the house to the barn.

There’s a small door at the end nearest the corral, there to provide foot access when they’re not leading animals in and out. The door is partly open, though it provides little light to the interior. Suzanna steps inside and stops to let her eyes adjust to the dimness. She can hear Gerald and Gregorio in the far stall, preparing the mule for Gregorio’s return to Taos. As she crosses the straw-covered earth floor toward them, Gregorio says, “A knife was found.”

Suzanna freezes. He has clearly waited until now to tell Gerald about the knife. There must be a reason he didn’t mention it yesterday. She swallows against a sudden surge of anxiety and closes her eyes, listening.

“It was that big horn-handled one Enoch Jones used to carry.”

Suzanna’s throat tightens. Her fingers are cold on the basket’s woven handle.

“Jones is dead,” Gerald says, his voice stiff.

“So we believed.”

“No man could survive that wilderness with those wounds. If nothing else, the wolves would trail his blood and finish him off.”

The mule moves impatiently. Gregorio speaks to it softly.

Gerald clears his throat. “Someone must have found Jones’ body and stolen the knife.”

There’s a pause, then Gregorio’s reluctant voice. “There have been stories.”

Suzanna starts to move forward, then thinks better of it. They’ll stop talking the moment they know she’s here.

“Encarnación laughed and called them ghost stories,” Gregorio says. “Tales of a man shaped like Jones in the mountains.” There’s another pause. “Between here and Don Fernando,” he adds, his voice dropping. Suzanna has to strain to hear him.

“I did not wish to alarm la señora,” he adds. “Especially with the child coming.”

“I appreciate that,” Gerald says. “They may just be stories.”

“Sí, they may just be stories.”

Suzanna opens her mouth and steps forward, then stops. They’re only trying to protect her. And there’s no point in worrying them about worrying her. She moves quietly back to the door and the cold sunshine. She waits a long moment, then shoves the door open all the way and reenters the barn.

“Hola!” she calls. “Gregorio, are you leaving so early?” The two men turn toward her almost eagerly, as if they don’t want to think about what Gregorio has just said.

After Gregorio returns to Taos, a pall falls on the cabin, a haze of pain that refuses to lift. Gerald seems anxious and unwilling to stray far from the hillside. Suzanna watches him impatiently, suddenly refusing to believe her own fears about the man she saw on the ridge. Somewhere deep in her belly, she knows she’s being unreasonable. That the stories being told in Taos and the presence of the knife beside Chonita’s dead body mean that it’s likely Jones did somehow survive that terrible knife fight and has returned from the wilderness.

But surely that’s impossible. It must be someone else who’s haunting the mountains between the valley and Taos. She simply cannot allow herself to live in terror of any other possibility.

Besides, if Gerald believed that Jones had returned, he would have told her so. He’s said nothing about the Taos rumors or Jones’ bone-handled knife. He’s staying close to the cabin solely out of concern for both her and Ramón’s emotional state. There’s also her physical condition. The baby is due soon and Suzanna is increasingly uncomfortable.

The shock of Encarnación’s death has hit Ramón hard. The realization that she lay dead while he happily anticipated their marriage has left him in a kind of stupor. He still cooks and tends the animals, chops wood and hauls water, but he goes about his tasks in a sort of daze, eyes glazed with pain.

Suzanna herself finds that she’s sitting for long stretches, hands empty in her lap, staring blindly at the windows, glowing yellow with afternoon light. It’s hard to imagine a world without Chonita’s vital laugh, those knowing eyes, that gift for las natillas. Even the mica windowpanes remind her of the other woman. Suzanna smiles, remembering the arguments between her father and the cook about the need for sunlight and fresh air through the old-fashioned kitchen windows with their carved wooden grills, the ones her father wanted to replace with mica.

Ramón enters the room carrying an armload of firewood. Suzanna looks up at him. “You know, I think Encarnación was right,” she says. “The clear light from an open window aperture is so much brighter and truer than sunlight filtered through mica.”

Ramón kneels to add the wood to the small stack at the far end of the fireplace. “It is so,” he says. “She—” Then he stops, a piece of juniper still in his hand. He shakes his head, carefully positions the chunk of wood on top of the stack, then stands and moves toward the kitchen without looking back.

She closes her eyes. She shouldn’t have spoken. It only deepens his pain. And yet, how can she not speak, when everything seems to remind her of her dead friend? She sighs and sorrowfully rubs her belly. She had assumed Encarnación would come for the child’s birth, to assist her through it and perhaps stay on with Ramón.

Grief overwhelms her again, and Suzanna creeps across the room and climbs clumsily up the ladder to the loft. Out of the way, where she can’t do anything else to increase Ramón’s pain.

When the tears finally wear out, Suzanna lies limp on the blanket-covered pallet and stares at the bare rafters overhead. The weeping will erupt again. She hasn’t completed grieving for her friend. But the pressure in her head and chest has subsided a little. She wonders if Ramón has wept at all, if he’s found an outlet for his grief. But he’s a man. Men learn early to suppress their emotions. Perhaps speaking of his loss to another man will be all he can manage.

But when she asks Gerald that night if Ramón has spoken to him of Encarnación’s death. Her husband shakes his head.

“It will fester in him if he doesn’t express it.” Suzanna pushes another pillow behind her back, trying to get comfortable on the thin bed. “It isn’t good to hold in that kind of pain.”

“You don’t know that he’s not expressing it,” Gerald says. “We each have our own way of dealing with grief.” He leans down to give her a kiss and pokes at the pillows behind her. “Are you comfortable yet?”

“Not until this child decides to be born,” she says, exaggerating her grumbling tone, glad to have something else to think about. “Ouch!” She presses a hand against her lower chest. “That foot just jabbed my rib and now it’s pushing straight out.”

“Pushy little thing, isn’t it?” Gerald grins and he stretches out beside her. “Must be a girl.”

She gives him a slit-eyed look. “You certainly are in a good mood tonight.” Guilt wells up in her and she turns her head away. How can she be happy when Encarnación is dead and Ramón so bent with grief? Tears brim into her eyes. “When my father arrives for Christmas, Chonita won’t be with him.” She gives Gerald a bleak look. “If I can’t bear the thought of that, how must Ramón feel?”

Gerald lifts himself onto one elbow and gently strokes her dark hair. “I don’t mean to be hard hearted. I know your heart weeps for her and that Ramón is burdened with grief and self-reproach.”

“Self-reproach?”

“He believes that if he’d insisted that they marry when we did, she would have been here and safe, instead of on that acequia path.”

Suzanna’s eyes fill again. “On that path with potatoes from my patch, so far away from the village.” She shakes her head. “And I was so willing for her to stay in Don Fernando, so quick to leave her with all the work while I took what I wanted. When I left, she remained to arrange everything, to take all the responsibility for my father. And to have none of my joy.” She turns her head away from his sympathetic eyes. Her voice shakes. “I’m more to blame than Ramón!”

“Neither of you are to blame,” Gerald says firmly. “Encarnación insisted, remember? She decided what she wanted to do and that was it.” He chuckles. “Did you ever know her to change her mind once she had decided a thing?”

“No, not that I can remember.” She manages a small smile. “In fact, it was never clear whether she or my father was the first to decide that she would be our cook and housekeeper. I’ve always suspected it was Chonita’s idea before it was his, even though she was only fourteen at the time.”

Gerald grins. “She set you a good example.”

She narrows her eyes. “Now what exactly is that supposed to mean?”

He laughs. “Only that you and she both know how to get what you most want.” He leans forward and kisses her forehead. “Now please relax and let that baby finish its last bit of growth so it can arrive soon.” He reaches for her hand. “Ramón and I expect to have a surprise for you tomorrow morning, but if it’s to truly be a surprise, you’ll need to stay up here until we’re ready to show it to you. Can you do that?”

She grimaces. “Since I now need help to get down the ladder, I suppose I don’t have much choice, do I?”

He laughs and squeezes her hand. “I suppose not.” He looks around the loft. “You have the lamp and your books. The chamber pot’s empty and the wash basin has clean water in it. Is there anything else you need?”

“Chonita to be alive and this child to be born,” she says, closing her eyes. She can feel the grief pulling at her again.

Gerald touches her hair. “I wish I could make both those things happen,” he says. “I didn’t know Encarnación well, but I also feel her loss.”

Suzanna reaches for his hand. “I don’t mean to be such a weepy woman about it. I suppose it’s as much the weight of the child as grief for Chonita. If my time doesn’t come soon, I may dissolve in a lake of tears.”

“When the baby does arrive, it will be a comfort to all of us.” He looks up at the rafters. “Though I dread the process of its coming.”

“I’ll be fine.” Suzanna puts more courage into her voice than she actually feels at the moment. “We both know what to expect. After all, cows aren’t much different from humans.”

“Still, I wish you could be in your father’s house.” He turns his head, eyes dark with concern. “I shouldn’t have taken you from Taos.”

“It’s too late for that now,” she says. “I’ll be fine. I’m sure of it.”

He rolls toward her. “I’ll certainly be glad when it’s over,” he says, his face against her shoulder.

Suzanna turns her head to kiss him gently, then turns back to stare at the rafters herself. She can sleep only on her back now. Every other position is uncomfortable. As she stares into the darkness, Gerald’s body relaxes into sleep.

She can’t let go that easily. Despite Gerald’s reassurances, she still regrets her eagerness to hasten her own marriage and delay Encarnación’s. One of them needed to stay in Taos with her father and arrange for and train a new housekeeper. She had selfishly let that person be Chonita. Who is now dead. The tears slip silently down Suzanna’s face.

Finally, she sleeps. She wakes to a muttered curse in the room below and a muffled thud on the plank floor. “Are you two moving furniture?” she calls, but the only response is the scuff of boots across the floor and the thud of the front door shutting.

Suzanna frowns. What are those two up to? Oh, yes. The surprise. Well, if it distracts Ramón a little from his pain, it’s a good thing.

She closes her eyes against her own grief, then sits up. Her bladder is full to bursting. Or at least it feels like it. It could just be that the baby is pushing against it again. That nothing much will happen when she uses the chamber pot.

She gets up anyway, then slips back onto the thin pallet. She shifts impatiently, trying to get comfortable. The loft’s floor boards seem especially hard this morning, the pallet especially thin. It’s no use. She’ll read for a while, until they’re ready to show her the surprise.

She pushes herself into a sitting position. As she reaches to light the lamp, the door below thuds open again. “Shhh!” Gerald hisses. “Careful now! She’ll hear us!”

Suzanna pulls her hand away from the lamp and lies down again, a small smile playing on her lips. Let them think she’s still sleeping.

She’s actually dozed off again when Gerald’s head appears at the top of the ladder. “Wife?” he says.

“Ummm?”

“Your surprise is ready.” He sounds so pleased with himself.

She sits up and stretches her hand to him.

“Well, almost ready,” he says. “You have to see it before it can be completed.”

She chuckles. “Now I’m really curious.”

“Don’t look over the edge of the loft,” he warns. “And you’ll need to close your eyes on the way down.”

“Isn’t that’s rather dangerous?”

He laughs. “You haven’t been able to see your feet on the ladder rungs for the last month,” he reminds her. “I’ll stay right below you just like I’ve been doing, and you’ll be perfectly safe.”

“I put myself in your hands,” she says, smiling. She wraps a shawl around her shoulders and ties it firmly in place. “All right, I’m ready.”

Gerald guides her carefully down the ladder, then places his hands on her shoulders and turns her, eyes still closed, toward the fireplace. “Here it is!” he says.

Suzanna opens her eyes. A bed stands between the fireplace and the window. A real bed, large enough for two people, with a sturdy pale-gold wooden post at each corner and thinner pieces forming the frame. Strips of rawhide have been woven together and attached to the frame to create a mattress support.

“It isn’t quite ready,” Gerald says apologetically. He slips his arm around her waist. “We’ll bring the pallet and blankets down and make it up properly.”

Ramón stands on the far side of the bed, watching her. His face holds the glimmer of a smile, the first she’s seen since Gregorio arrived with his news. “It is for you and the little one,” Ramón says. He glances at the ladder to the loft. “You will be safer here.”

“It’s beautiful.” Suzanna leans against her husband and smiles at Ramón, both hands on her protruding belly. She looks at the bed. “The wood is such a beautiful soft yellow. Is it aspen?”

“Sí,” Ramón says eagerly. “And we have coated it with a thin layer of resin, to preserve it. It should last all your days—” He stops suddenly and looks away.

Suzanna’s throat catches. She turns to Gerald. “I want to try it right away,” she says. She moves to her chair and eases herself into it. She looks at Ramón, her eyes twinkling. “I’m afraid you’ve made more work for yourself, because I’ll also need the lamp and my books.”

The men move up the ladder to do her bidding and the cabin is filled with activity, pushing the loss of Encarnación into the shadows, at least for a little while.

You’ve just read the tenth chapter of the forthcoming novel Not My Father’s House by Loretta Miles Tollefson. You can order it now from your favorite bookstore or online retailer, including Amazon, Barnes and Noble, or Books2Read.

 

NOT MY FATHER’S HOUSE – Chapter 9

CHAPTER 9

Suzanna hums a little tune as she sweeps the cabin floor. These planks are quite different from the hard-beaten and oxblood-sealed earth floors of the Taos casa she grew up in, with their smooth surfaces, their soft indentations. The cabin’s wood floors are rougher and give more underfoot. They’ve taken some getting used to.

But they don’t show the dust in the same way, and she appreciates that. She dips the tip of her broom into the bucket of water beside the open door, shakes the excess moisture onto the porch, and goes back to her sweeping.

When the broom straw begins to clog with dirt, she carries it to the porch and shakes it out in the cold mid-November light. The chickens have escaped from their pen in the barn and are pecking around the edge of the corral. Dos lies nearby, watching them wistfully. The rooster will happily attack half-grown dogs if they get too close to the hens. The puppy has already experienced his wrath.

Suzanna chuckles. As she gives her broom a final shake, her eye catches movement in the valley below. She squints and shades her eyes with her hand. A man riding what looks to be a mule. A slender man who seems vaguely familiar. Ramón will probably know who he is.

But Ramón is in the kitchen and there’s no sense in disturbing him. Besides, her growing belly is weighing her down. Suzanna leans her broom beside the door and drops heavily onto the nearest bench. The rider could just be a hunter passing through. There’s no guarantee he’s coming from Taos and has word from her father and Encarnación.

Though he may. The thought keeps her on the porch in spite of the cold. When the rider turns the gray mule’s head toward the cabin, a surge of gladness rushes through her. It’s Gregorio Garcia. Perhaps he’ll have a letter from her father. Perhaps Encarnación has sent word to Ramón to set a marriage date.

But when Gregorio reins in beside the corral, he doesn’t look as if he carries good news. In fact, his eyes seem to avoid the porch, where Suzanna has pushed herself up from her seat. And he doesn’t dismount. He just sits there, staring dully at the pole corral and the valley beyond.

Suzanna frowns. Does the slant of the November sun shade the porch so thoroughly that Gregorio can’t see her from where he sits? Does he think no one is home? She suppresses a surge of anxiety and waddles down the steps and across the yard.

“Gregorio!” She smiles up at him. “How good to see you! How is your mother? Is everyone well? You’re riding a mule! Have you come into money?” She reaches to pat his mount’s gray shoulder.

Gregorio shakes his head somberly “It is Señor Beaubien’s mule. He leant it to me.”

There’s a tension in his voice that makes her look sharply into his face. Her smile fades. “You bring news.” Her chest tightens. “My father?”

Gregorio seems to shake himself out of a deep fog. “Forgive me,” he says. “No. El señor, he is well.”

“Then what is it?”

He looks toward the cabin. “Señor Ramón? He is here?”

She nods, then steps back. “But I’m keeping you out here when you must be tired and cold from your journey. Please come inside. Would you like some tea?”

He nods wearily. “But the mule first.”

“You’ll find Gerald in the barn.” She turns toward the house. “I’ll tell Ramón that you’re here.”

“Por favor,” he says. She turns back to him, and he hesitates. “Please do not speak to mí primo of possible danger or sorrow.”

Her eyes widen in alarm.

“I must tell him myself.” His shoulders straighten. “I promised my mother I would speak to him myself.”

Her forehead wrinkles in confusion, but she only says. “I will tell him only that you are here.”

He nods without looking at her, clucks at the mule, and reins it toward the barn. Suzanna watches him silently, afraid to ask what news he brings, afraid that Ramón will know there’s bad news by the very look on her surely-anxious face. She turns toward the cabin.

“Gregorio just rode in,” she says when she enters the kitchen.

Ramón straightens from the fire with a puzzled frown. “He rode in? He didn’t walk? There is news of your father? He is well?”

She shakes her head. “He says the news is for you.”

Ramón’s face brightens. “Perhaps Encarnación is ready for me.”

Suzanna looks away, and he sobers. “Or perhaps she has decided to marry another.”

She laughs and shakes her head. “You know she won’t do that.”

He shrugs. “Anything is possible. Nothing is certain.”

“He took his mule to the barn,” she says. “Well, Charles Beaubien’s mule, which he apparently borrowed for the occasion. He’ll be in soon. Would you prefer to speak to him privately?”

Ramón shakes his head, smiling slightly, and she smiles ruefully back at him. There’s no place truly private here, unless Ramón wishes to hear his message on the icy porch or in the barn. Even then, Suzanna and Gerald would have to carefully remove themselves from hearing range.

“I thank you, but there is no need,” Ramón says. “Undoubtedly, he comes to tell me my mother’s fourth cousin has died and there are debts the family must pay.”

Suzanna chuckles but neither of them are truly amused. They move silently into the cabin’s main room and stand waiting. When Gregorio and Gerald come in, Suzanna gives Gerald a questioning look. He shakes his head. Whatever message Gregorio has brought, he hasn’t spoken it yet.

Gregorio goes straight to Ramón and stops directly in front of him. He moves his feet apart, bracing himself, and takes off his hat. He fingers its worn brim as he looks into Ramón’s face, then at the floor.

“You are well, my cousin?” Ramón asks.

Gregorio nods.

“And your mother? She is well?”

He nods again.

“You have a message for me?” Ramón asks.

Gregorio glances toward Suzanna and Gerald, who stand together on the other side of the room.

“You may speak freely here,” Ramón says.

The teenager gulps and looks into the older man’s face, then away. “My cousin—,” he croaks. He takes a deep breath. “Su novia—”

“My sweetheart? Encarnación?” Ramón’s face stiffens. He blinks, then his lips twist, as if he’s forcing himself to speak. “Yes, what of her?”

“Ella murió.”

“Died!” Suzanna gasps. Her knees buckle and Gerald’s arm grips her waist. On the other side of the room, neither man stirs.

“Murió?” Ramón chokes.

Gregorio nods. His lips move soundlessly and he stares at the floor. “Killed,” he says softly.

Ramón shakes his head and moves backward, toward the wall and some kind of support. “It is not possible,” he mutters. He closes his eyes, then opens them, locking onto Gregorio’s face. “You know this for a fact?”

Gregorio nods miserably. “I saw it.” He shudders. “The wounds from the knife.” He turns his head. “The tears in her clothing.”

“She was molested?”

He looks away, his face twisting, then back at Ramón. “Sí,” he whispers.

There’s a long silence, broken only by Suzanna’s soft sobs.

“It cannot be true!” Ramón says.

“I wish that it were not so.” Gregorio takes a deep breath. “But it is most true.”

“Who did this thing?”

Gregorio shakes his head. “No one knows.”

Ramón gropes blindly to a chair. Gregorio sinks onto the colorful flat-topped chest by the fire and Suzanna drops into her own chair. Gerald stands behind her, holding her shoulder. The room has grown dark while Gregorio delivered his news, the sun slipping remorselessly behind the black-shadowed Sangre de Cristos.

The men’s hands dangle helplessly, their eyes everywhere but on each other’s stunned faces. Suzanna sobs quietly, her face in her hands. “Encarnación dead!” she whispers. “Chonita, of all people! So full of life! It seems impossible!” She lifts her head. “What happened?”

“No one knows for certain.” Gregorio spreads his hands. “Clearly, she had been to the potato field to gather more food. There were las patatas on the path beside her. And the basket.” He turns his face toward the wall. “And blood everywhere.” There’s a long silence, then he gulps and faces the others. His eyes flick from face to face. “She had been knifed in the chest and the face,” he says flatly. “Potatoes were flung everywhere, as she if used the basket as a protection at first, but the killer flung it aside.”

“Where did this happen?” Gerald asks.

“On the path from the garden plot back to the town, the one that follows the acequia.”

Gerald and Suzanna look at each other. The path that had been so dear to them, where they first declared their love. Those memories will be tainted now. The bit of land that brought them together has become the instrument of Encarnación’s death.

Suzanna bends forward, covering her face with her hands.

Ramón clears his throat. “And no one was nearby?”

“No one heard anything or saw anyone.”

Suzanna shudders. “My poor Chonita. To die so horribly.” She looks at Ramón. “And when she had so much to look forward to.” The tears start again, silent this time, and she makes no move to wipe them away.

Ramón braces his elbows on his knees and drops his face into his hands. His shoulders shake with suppressed grief.

“She spoke to my mother of her marriage only the day before,” Gregorio says. “She said the woman she hired to serve el señor was learning quickly. She had purchased new blankets and was sewing linens in preparation.”

Abruptly, Ramón stands up, his face averted. “Forgive me,” he mutters. He crosses to the kitchen door. They can hear him moving restlessly around the room. In the kitchen fire, a log drops into the flames and sparks snap.

Suzanna takes a deep breath. The baby kicks in response. Suzanna places her palm on her belly and rubs in slow circles. The child Encarnación will never hold, will never spoil with her famous natillas.

Gerald turns to Gregorio. “No one has come forward with information?”

Gregorio shakes his head. “No one heard or saw anything. I— I was on my way into the village—.”

They look at him in horror. “You found her?” Gerald asks.

Gregorio nods.

Suzanna closes her eyes, picturing his shock, the potatoes scattered across the path, the blood.

“She was already quite dead,” Gregorio says, almost defensively. “The wounds were from a knife.” He looks at Gerald. “They were very deep and there was blood—.”

“Yes,” Gerald says.

Suzanna opens her eyes to find them both looking at her anxiously. Gerald’s eyes flick to her abdomen.

“You need not worry for me.” Suzanna shifts in her chair. Her fingers touch her belly and the child kicks again. “The little one is strong and healthy.” She takes a deep breath. “Every child must learn of evil and pain. It is not something that can be avoided.”

Gerald studies her. “I’ve never heard you speak so sadly.”

“I’ve never been so sad.” She closes her eyes, willing her lips not to tremble. “Encarnación was a good friend to me and to my father. My potato patch killed her.”

Ramón steps in from the kitchen just then, a tray of tea things between his hands, his face slack with grief. “Please do not speak so,” he says as he crosses the room.

He places the tray on a small table near the window and turns to Suzanna. “Encarnación loved the goodness of the things you grow. All food was of value and a pleasure to her. Your potatoes did not kill my love. Some man did.”

His face twists again and he makes a visible effort to control himself. “For jealousy. For lack of protection.” He voice trembles and he looks away, his fists clenching and unclenching. “I should have insisted that she come with us. I should not have left her alone.” He turns and hurries back into the kitchen. The door to his sleeping room beyond shuts with a thud.

There’s a long silence, then Suzanna rises and goes to the little table. “Tea?” she asks Gregorio.

He nods as if ashamed of needing sustenance, but drinks the hot liquid greedily.

“Thank you for coming so quickly to tell us,” Gerald says.

“De nada,” Gregorio says. “Ellos están mí familia.”

“You will stay a few days before you return?”

“I must go back tomorrow at first light,” Gregorio says. “My mother needs me. Especially now, when all the women of the town feel vulnerable to attack.” He glances at the mica-covered window. “The weather is uncertain and she will be anxious for me.” He looks at Suzanna. “I would not have her anxious.”

You’ve just read the ninth chapter of the forthcoming novel Not My Father’s House by Loretta Miles Tollefson. You can order it now from your favorite bookstore or online retailer, including Amazon, Barnes and Noble, or Books2Read.

 

Rosary Without Beads: Book Review

Rosary Without Beads cover
by Diana Holguín-Balogh
ISBN: 9781432844745
Five Star/Cengage, 2018

Rosary Without Beads has changed my mind about Billy the Kid.

I’d been told that, in addition to being an outlaw, Billy the Kid was also a lady’s man. That didn’t make him more attractive to me. A thug and a womanizer. Why would I find that appealing?

However, Diana Holguín-Balogh’s masterful fictional portrayal of Billy the Kid and a young woman who falls for him has me seeing Billy in a new light.

Rosary Without Beads presents a Billy who’s passionate about justice and fair play, and loyal to a fault—characteristics which end up placing him on the wrong side of the law. He also has a facility with English and Spanish that could sweet talk a rattlesnake out of its rattles.

Billy’s linguistic charm is a primary reason I like this book so much. Holguín-Balogh has a gift for writing broken English/Spanish so that it’s not only comprehensible, but has a music all its own. This is true not only of Billy’s verbal skills, but also of the other characters, especially the female protagonist, Ambrosia.

Ambrosia doesn’t have an easy life. She’s been promised to a man who would really rather have her sister. That’s bound to make a girl feel unattractive. So when Billy shows up and shows some interest, she’s pretty much swept off her feet. She doesn’t succumb to his charms easily, though. Holguín-Balogh does a great job of expressing this girl’s mixed emotions about Billy all the way through the novel.

I suppose I can safely tell you that the Kid dies at the end of this book. I suspect that’s a story most of us know. However, Rosary Without Beads presents a take on the usual explanations for the circumstances of Billy’s death, and what happens afterward, which may surprise you. But you’ll have to read the book for yourself to find out what that take is.

If you’re looking for a historical novel you can sink your teeth into and feel like you’ve learned something in the process, I recommend this book!