The following material is an extract from NOT JUST ANY MAN, A Novel of Old New Mexico, Copyright © 2018 Loretta Miles Tollefson. Published by Palo Flechado Press, Santa Fe, NM
A Note about Spanish Terms: This novel is set in northern New Mexico and reflects as much as possible the local dialect at that time. Even today, Northern New Mexico Spanish is a unique combination of late 1500s Spanish, indigenous words from the First Peoples of the region and of Mexico, and terms that filtered in with the French and American trappers and traders. I’ve tried to represent the resulting mixture as faithfully as possible. My primary source of information was Rubén Cobos’ excellent work, A Dictionary of New Mexico and Southern Colorado Spanish (University of New Mexico Press, 2003). Any errors in spelling, usage, or definition are solely my responsibility.
CHAPTER 22
Those among Ewing Young’s men who’ve tasted Encarnación’s custard think of it longingly as they trap down the Gila. Game is scarce and even the fish are wary of these men who invade the beaver ponds. The trappers’ diet has shrunk to beaver carcasses and the little corn they can trade at the occasional Papago village, villages which are warily courteous to the foreigners.
The monotony of beaver and occasional corn stew is wearing. Gerald finds himself thinking wistfully of white flour biscuits and black tea. And narrow brown hands holding out a small china plate— But he stops himself. He has no right. He busies himself mending traps and creating willow frames for the pelts he collects every morning.
Young’s party is ten days on the Gila before it reaches the Colorado River. Here their diet expands to include beans traded with the Uma Indians. Then the trappers turn north, up the Colorado. They begin to see cultivated fields again, planted by Indians that Ewing Young says are called ‘Mojave’ and James Pattie insists are the Maracopper. What matters to Gerald is that, although it’s still only late February, the squash plants in the fields are already well up and looking remarkably healthy.
There’s no apparent design to the way the squash is planted, except that each hillock lies on the edge of layers of silt still moist from the river’s spring flood. It’s a very different farming pattern from the irrigation ditches among the Papago fields on the Gila, or the ones at Los Chavez.
The fields expand as the Americans move upstream. In startling contrast to the flat lands along the Gila, brown as far as the eye could see, the Colorado’s valley is a swath of green bounded by high stony bluffs that block a man’s view of anything but the river and its valley. Dense thickets of cane and arrow weed line the river banks, and beaver lodges bulk from its sides. As the expedition’s fur take increases, the trappers’ pace slows. There’s beaver enough here to last them a good while.
It’s a pleasure to work and rest here. Gnarled cottonwoods cluster wherever the ground is slightly raised. Under the trees, the grass is thick and green. The mules and horses bend toward it eagerly.
But then it begins to rain, and the reason for the river’s width and the lush growth beside it becomes clear. The rain here isn’t like New Mexico’s: a half day of moisture, then sun again, sparkling on a newly-cleansed world. On the spring-time Colorado, the rain comes hard and solid, a steady downpour that lasts all day, then into the next, and the next after that.
The trappers sit gloomily under makeshift tents of heavy canvas that they’ve had no use for until now. They huddle the tents as close as possible over the cooking fires, trying to protect the flames from the rain while also making sure the canvas doesn’t catch fire. Gerald hunkers down with Thomas Smith and Maurice LeDuc under a square piece of tenting strung between two young cottonwoods.
On the third afternoon, the rain begins to ease. As the clouds pull back, a band of half-naked Indians appears among the trees, red, white, and black designs painted on their chest.
Thomas Smith mutters “Shit!” and cocks his rifle as Gerald reaches for his pistol.
Then Ewing Young emerges from his own shelter. He waves impatiently at the weapons. “They’re friendlies,” Young says. He gives Smith a sharp look. “Unless you’re fool enough to start shootin’.”
Smith lowers his gun, his eyes narrow. “I ain’t never seen a friendly Injun that couldn’t turn unfriendly in a blink,” he says.
But Young’s eyes are on the Mojave leader moving toward him, his black-tattooed chin jutting belligerently.
“Pee-Posh,” the man says. He touches his black-striped chest, then makes a sweeping gesture toward the men behind him. Then his hand sweeps toward Young and his trappers. “Americano?”
Young nods, then they move into sign language. Smith leans toward Gerald. “They’re all named Peeposh,” he chuckles. “And they’ve all got tattoos on their chins like true savages.”
Gerald smiles, watching Young at his work. His hands move so swiftly Gerald has trouble understanding what he’s saying. But then one of the Indian men moves forward carrying a basket and he understands. This is a trading mission.
When it’s over, the trappers have two baskets of beans and more of the everlasting corn, and the Indians have red strips of cloth and eight skinned beaver carcasses.
But the Mojave don’t leave. The rain has finally drizzled to a stop and the sun is out. Gerald stands under a cottonwood and watches as, thirty feet away, the Indians dig several large holes in the ground, build fires in them, then add the gutted beaver. They cover the holes with dirt, leaving small apertures for the smoke. It’s a kind of pig roast, he realizes. Only with beaver.
By some mysterious process Gerald can’t ascertain, the Indians seem to know when the meat is ready. He watches as they claw the dirt aside, scrape the burnt crust off the meat, and proceed to feast.
Ignacio comes to stand beside Gerald. “It is like our matanza,” he says. “Although we might cook a sheep or a goat.” He chuckles. “I wonder what mi mamá would say to beaver. Or whether mi papá would be willing to eat it.” He shakes his head. “He is doubtful of the ways of the trapper. He says los americanos break the law for the joy of it.”
Gerald frowns. “What law are we breaking?”
“Not you, señor.” Ignacio glances over his shoulder. “It is Señor Young with whom he is concerned. He believes el señor does not deal honestly with our officials.”
Gerald looks at Ignacio, who continues to watch the Indians eat, their long black hair kept carefully away from their faces and food. “Does he have reason for his distrust?” Gerald asks.
Ignacio shrugs. “There have been incidents,” he says reluctantly. He glances at Gerald, then turns away. “I’m sure it is nothing.”
The Indians hang close for the next two days, eagerly accepting more beaver to roast. There’s plenty, as the traps yield thirty plews the first night, then another twenty. On the third day, the catch has dropped to ten and Young announces that it’s time to move out. The Indians drift away, presumably back to their village, and the trappers head upstream.
As far as Gerald can tell, the village the trappers come across three days later doesn’t belong to the men they traded with. The hamlet consists of two rows of brush and thatch huts. The trappers and their mules proceed between them. Tall woven baskets stand on low stilts beside the buildings, their contents protected by woven lids. Naked children and bare-breasted women with tattooed chins peek from behind the baskets and from inside the huts. There’s no sign of the men.
The trappers establish camp under a cluster of giant cottonwoods three miles north of the village and within a stone’s throw of the river. There’s a break in the thickets of cane and arrow weed, so they can get to the water easily, and a grazing meadow that surrounds the other three sides of the cottonwood grove.
Ignacio and the other camp keepers are just starting the evening meal when a group of Mojave men appear. Although their women had been timid, the men hold themselves proudly and look the Americans in the face. They’re dressed in breech clouts of woven strands of wood and the same paint as the Mojaves the trappers had traded with downriver.
Their leader is a thick-set man with a broad forehead and a black design tattooed on his chin and red and black stripes painted on his chest. His eyes are narrowed from years of sun glare. A bow and a quiver of arrows hang from his naked back.
He seems unconcerned about the language barrier. Even though Young has a rifle in his hands, the man confronts Young confidently. He points toward the river, then himself, the packs of furs, then himself again. Then he waves his hand at Young’s men, ranged around the camp fire, and shakes his head. He makes a dismissive gesture.
Gerald frowns. The man seems to be saying it’s his river, not theirs, and what comes from this river is his as well. He has a point. It is his land—his peoples’, anyway.
The Chief points at the mules and horses grazing nearby, then makes a scooping motion toward his chest.
Young’s eyes darken. “I ain’t givin’ you a horse,” he growls.
There’s no need to shake his head in denial. The Mojave understands. He frowns, points toward the river again, then himself. Then he gestures at the horses and makes another scooping gesture. He holds up a forefinger, then repeats the entire set of motions: the river, himself, the horses, the scoop.
“He just wants the one,” James Pattie says.
“And then he’ll want more,” Thomas Smith says. He turns and spits. “And more after that! You gonna give him your daddy’s mare?”
“Ain’t mine to give!” Pattie protests.
But Ewing Young and the Mojave ignore the side play. They face each other like two men about to duel, eyes steady, jaws set. Suddenly, the Chief’s hands move again, this time over his shoulder to the bow and arrows. In one fluid movement, there’s an arrow pointing at Young’s chest. The Mojave grins, almost playfully.
Thomas Smith’s rifle clicks. The Chief gives no notice he’s heard. He lifts the bow slightly and releases his arrow up over Young’s head, where it lodges solidly in the trunk of a big cottonwood.
Young turns and lifts his gun. A shot rings out and the arrow’s shaft breaks apart, the end tumbling to the ground. There’s a long silence, then the Chief nods and turns. His men follow him out of the grove.
The trappers watch them go. “That ain’t the last of him,” Thomas Smith says.
Young studies the arrowhead still stuck in the tree. He nods grimly. “There’ll be no trap setting tonight,” he announces. He turns and considers the campsite and the area between it and the river. “With the river behind us and the grassland on the other side of the trees, I suppose this is as good a place as any. And there’s plenty of deadfall.” He turns back to his men. “It’s time to fort up.”
Trappers and camp keepers work side by side to pull deadwood and branches into position on the three sides of the tree-shaded camp not protected by the river. They herd the unwilling animals inside, then go back to work on the waist-high bulwark, reinforcing it with the packs of beaver pelts.
It’s dusk before they finish. They eat a cold meal, then settle down for the night. Young orders a double guard: two men on each side of the enclosure, one along the river, two-hour shifts, no smoking or talking. For once, no one complains.
No one sleeps much either. The horses and mules move restlessly as the guards pace inside their sections of the bulwark. Gerald lies with his eyes open, staring into a moonless sky, trying not to think about why the Indians will attack in the morning. The Chief’s request seems such a trivial thing. And such a fair one.
Young’s stubborn response, and the other trappers’ apparent agreement with him, makes Gerald wonder what really happened between Robidoux’s party and the Papago villagers. What triggered that initial attack? What small thing resulted in the death of all those men? He stares up at the sky. Even the stars seem dimmer than usual.
He doses off, then a mule snorts and he’s awake again, staring into the night. The waiting seems more painful than an attack could ever be. He knows this thought is nonsense. Yet time drags unnervingly in the unmoving blackness. Only the changes in guard mark its passing.
His own duty comes just as the sky begins to lighten and he’s finally drifted into a semi-sleep. Suddenly George Yount is shaking his shoulder and muttering, “Your time!” in his nasal Pennsylvania Dutch accent.
Gerald sits up sharply and his skull connects with Yount’s with a dull thud. The big man jerks back and glares at him, then breaks into a grin. “Didn’t think you was asleep, did ya?” he asks.
Gerald grins sheepishly and shakes his head.
Yount rubs his forehead. “That is one hard skull you got,” he says.
Gerald chuckles. “So my daddy says.” Smith, lying nearby, raises his head and growls wordlessly, and Gerald lowers his voice. “Which section?”
Yount gestures toward the center, facing the meadow, and Gerald nods, reaches for his rifle, and heads toward the wall of wood and beaver pelts.
It will be a beautiful day. He peers over the bulwark at the silent grass. Dew has collected on its long slender blades. The moisture glitters in the rising light, then evaporates as he watches. To his left, Michel Robidoux leads a small group of hobbled horses through the break between the fort and river and stations them to graze on the south side of the improvised wall.
Gerald glances at the trees overhead. A light breeze moves their leaves, setting up a small, joyful sound. The peacefulness of the morning is at odds with the tension of the night. He takes a deep breath.
As he lets it out, a man on horseback appears at the top of a small rise on the other side of the meadow. Gerald stiffens. It’s the Mojave Chief, a spear in his hand, a small collection of men on foot behind him.
Gerald opens his mouth, but Thomas Smith’s voice overrides his. “We’ve got company!”
Smith is beside Gerald before Ewing Young reaches the bulwark. Smith braces his rifle barrel on a convenient notch in the uppermost log and sights on the Chief. Then Young steps forward and pushes the barrel up and away. Smith scowls.
“Don’t go giving them any provocation,” Young says.
Smith mutters an imprecation Gerald can’t hear, but Young ignores him. He glances at Gerald. “Yours, too,” he says.
Gerald glances down. His rifle is also angled toward the oncoming men. He lowers the barrel and glances behind him. Trappers are scattered in small knots across the impromptu fort’s interior, all of them casually holding a loaded firearm as they appear not to watch the Mojave warriors. Only Young gazes straight at the Chief and his clutch of men as they move toward the American encampment.
When they’re close enough for conversation, the Chief reins in and begins making the same gestures he’d made the day before. He waves a hand at the grazing horses, still grazing outside the makeshift fort.
Young glances at the animals and scowls. He lifts his chin at the Chief. “I told you ‘no’!” he shouts. Then he raises his rifle barrel toward the sky. It roars defiantly.
The Chief’s mount stirs anxiously and the man’s eyes narrow until they’re mere black slits. His horse wheels, circling toward the grazing animals, and the Chief lifts his spear. As its point bites into the nearest horse’s side, the trappers’ rifles speak from the bulwark. The Chief tumbles from his mount. Two warriors gallop forward and gather him up. Then the Mojaves move off. Rifle fire follows them as they disappear over the rise.
“Any bets on how long it’ll take ’em to try it again?” Milt Sublette asks.
“I’m thinkin’ an hour or two,” Thomas Smith says. “They’ll need to sort out who’s gonna lead ’em the second time around.”
“I’m betting it’ll be longer than that,” Sublette says. “They’ll wanta dance a little and work their dander up.”
George Yount turns toward the opening by the river. “We must bring in the horses and tend to the wounded one.”
Ewing Young paces along the front of the bulwark, pushing branches into place, shoving fur packs more tightly into the gaps. “Yes, bring them in,” he says. “Then move them as close as you can toward the water, out of the way.” He tilts his head and looks up at the tops of the cottonwoods. “Garcia, you and Sandoval climb up into the branches there—” He points to a gnarled tree just inside the fort’s right-hand wall. “And there—” He points to a slightly smaller tree on the left. “Keep your eyes peeled and let out a holler as soon as you see them red devils comin’ back.”
The two young men nod and scramble into the trees. Then nothing happens. Young keeps them up there most of the day, spelled by Gerald and James Pattie when there’s food to be prepared and distributed.
The meal is stark, but no one besides Thomas Smith thinks fire is a good idea. He wants his coffee. There’s been none since the previous morning. No one pays much attention to his grumbling. They’re all too busy watching for the warriors who don’t come.
Darkness falls and the rain starts up again. Putting up any kind of shelter against the downpour will reduce the trappers’ ability to monitor any activity outside the bulwark walls. Even Thomas Smith doesn’t suggest it.
Instead, they sit in disconsolate huddles inside the makeshift fort, pieces of blanket, tent, or buckskin draped over their heads and shoulders, and try to catch a little sleep. Even guard duty is better than sitting in the mud. By the time the rain has stopped, the ground’s a muck-ridden mess.
They’re all stiff and cold in the morning, but the rain has stopped. As the trappers stretch themselves awake and beat warmth into their arms and legs, the Mojaves appear at the top of the rise, just out of rifle fire range. The dull thud of a drum reverberates across the meadow, setting up a steady heartbeat, then the warriors begin a shuffling dance, occasionally moving to one side to shoot a challenging arrow toward the fort. The arrows bite the ground well short of the bulwark, but the message is clear. We’re coming.
“Just limberin’ up,” Smith observes laconically. “’Fraid to get closer, I guess.”
“Unusual for Mojaves,” Ewing Young says. He strokes his chin. “As a general rule, they like surprise attacks. But I’m guessing they’ll be massing up shortly.” He turns to Gregorio. “Shimmy on up that tree again and see if you can spot anything beyond that bit of hill they’re dancin’ on.”
The camp keeper scrambles up the nearest cottonwood and cranes his neck. “There is nothing, señor,” he calls down. He gestures toward the Indians. “There are no more than what you see.”
Young nods thoughtfully, studying the rise. He turns to ask another question, but the warriors have spied movement in the tree. As Gregorio begins clambering down, they group together and move forward, their taunts filing the air.
Smith rushes past Young to the bulwark. “Alrighty boys!” Smith yells. “Have at ’em!”
Young scowls but doesn’t contradict the order. He moves to one side and checks his primer, then nods at Gerald. “Are you ready?” he asks.
Gerald nods grimly. Personally, he would have given the Chief a horse. Even two. It is his people’s river, after all. But it’s too late now for second guessing. He double checks his load and braces the rifle barrel in a branch that protrudes from the bulwark.
The trappers’ first volley stops the warriors in their tracks. Two Mojaves warriors go down and another staggers and grabs at his right shoulder. The rest dash to their fallen men, grab them up, then turn and flee toward the village.
Thomas Smith scrambles over the bulwark wall and races after the fleeing warriors, LeDuc and Yount close behind him. Ewing Young watches them dispassionately, then turns to the remaining men. “All right, let’s pack up and head out,” he says. “It’s just not profitable to waste time arguin’ with a bunch of savages. They’ve learned their lesson. And there’s not enough beaver left along here to make battling them worth our while, anyway.”
And with two men dead and another injured, the Mojaves are likely to return, looking for vengeance, Gerald reflects as he helps disentangle the packs of beaver pelts from the fort’s improvised walls. Young is wise to move on. But Gerald is careful to keep his expression blank. After all, Young is the man paying the bills. He notices that when Smith and the others return, they don’t object to the move either.
Copyright © 2018 Loretta Miles Tollefson
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